
In 1668, John Wilkins published An Essay Towards a Real Character and a Philosophical Language - an attempt to classify every thing in existence and assign each a unique symbol, so that the world could be written without ambiguity. But this was impossible. Throughout the essay's taxonomy he confesses this in hedging phrases: coral is a 'Strange Original; not being properly Minerals'; fungi 'do want or seem to want some of the more essential parts of Plants'; zoophytes are 'betwixt Plants and Animals'; the whale is a fish, except it breeds its young within it and breathes air. There are creatures he admits belong to the wrong category, hybrids he acknowledges he cannot place and things he can only describe as 'either... or' because no single category holds them. A Catalogue of Exceptions brings out these failures. Each subject is generated through early machine learning models: StyleGAN, early versions of Stable Diffusion, models chosen for their visible artifacts and anatomical instability as well as later, more precise versions that produce a different kind of strangeness. Placed together they become a weird ark of objects which only really starts to make sense in the aggregate.


The decision to incorporate early models (StyleGAN, Stable Diffusion etc) as well as more capable contemporary systems was conceptual rather than aesthetic. Later models have been trained to suppress failure: to produce coherent anatomy, consistent edges, resolved forms. The earlier models still show errors. When asked to generate a jellyfish described as 'a kind of Gelly, roundish at the top, marked with reddish lines in the form of a Starr' (Wilkins' own 1668 description) they produce something that could not be classified as a jellyfish but could not be classified as anything else either. The failure is not incidental; it is the subject. The parallel that emerged in making the work was not something imposed from outside: it is structural. Every system that attempts to classify everything creates a category for what it cannot classify. Wilkins called them 'Strange Originals' and 'Imperfect.' Linnaeus created a category called Chaos for microscopic organisms he could not see clearly enough to name. Haeckel invented a third kingdom (Protista) for everything that was neither plant nor animal. Contemporary biological taxonomy has a formal term for organisms that cannot be placed: incertae sedis. Contemporary machine learning has mode collapse, the failure state in which a model defaults to the same few outputs because it cannot generate the thing being asked for.
Commissioned by the Schwarzman Centre for the Humanities, University of Oxford, as part of A Perfect Language of Images (2026)