Price Per Stem

Year: 2025
Medium: 25 video artworks (mp4 created using custom AI generated algorithms and artist’s drawings) and 25 corresponding sets of 56 prints (C-type photographic prints) housed in bespoke linen boxes
Dimensions: Video: 111s, 2048 x 2048px; Box: 3.8 x 15.7 x 23cm; Print: 8.5 x 4.5cm; Outer box: 24 x 95.5 x 16.1cm

Peonies are romantic and ephemeral. They are also a lucrative commodity. This paradox prompted Anna Ridler to excavate the social, industrial, economic and environmental factors hidden behind the flowers we take for granted in florists and supermarkets. Price Per Stem is a series of 25 unique artworks. Each one comprises a paired physical and digital element. The physical element entails 56 photographs of real peonies, taken by Anna in her studio. Once printed, each peony is annotated with its market price. These photographs form the basis of the corresponding digital element – a single imagined peony in video form, generated from the 56 real peonies. To create her digital flowers, Anna created an intricate model based on data and events that influence the price of peonies, from fluctuations in weather to holidays like Valentine's and Mother's Day associated with surges in demand. To complete the digital element, Anna traced choice moments from each peony and layered them over fluctuating prices. In this final step, the peonies are reconnected with the physical world

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Process and Research

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Rather than using flowers as a metaphor, this is explicitly thinking about the flower marketplace. I’m fascinated by how the flower market functions as a microcosm of collectivization and global trade. This industry is worth billions, and it raises questions around the impact of agriculture, climate change and labour rights. It's a really dirty business with super low margins, and people get paid next to nothing. I wanted to foreground what these flowers are worth. From the point of view of the market, a flower is at its full potential in bud, then once it is dead and decayed it is essentially worthless. I spent a lot of time thinking about the full life cycle of the flower and how to manifest it in the dataset and moving image works. I find that if you really look closely at a flower, you can see so much happening. Here are these beautiful transient objects that are exported from places like Colombia or Alaska, and travel through huge flower markets in the Netherlands before they reach all these different shops where you can pick them up for £3. There are so many variables that go into that final price. There are the predictable bumps around holidays like Mother’s Day and Valentine’s Day, or wedding season. Then there are some people who want locally grown flowers, and in Britain that comes at a premium. Depending on the weather that year, there might be a glut or a shortage which could drive the price up or down. One of the things that drew me to peonies is that despite their popularity, they are quite hard to grow. They have to spend a certain amount of time in the ground when it’s below freezing in order for them to sprout, but they then need warmth to bloom. With climate change, a lot of the areas they were traditionally cultivated aren’t getting cold enough winters, whereas Alaska has become a huge exporter because it is now warm enough.

References and Inspiration

Amy Stewart, Gilding the Lily: Inside the Cut Flower Industry, 2009Amy Stewart, Gilding the Lily: Inside the Cut Flower Industry, 2009
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Dissemination

25 video artworks (mp4 created using custom AI generated algorithms and artist’s drawings, minted as NFTs and stored on USB drives) and 25 corresponding sets of 56 prints (C-type photographic prints on Canson Infinity Photosatin paper) housed in bespoke linen boxes. The artwork is accompanied by a signed certificate of authenticity, prints are initialled on reverse, and video artworks are minted on the blockchain.

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Price Per Stem (2025) | Anna Ridler