MAIN.jpg

No Replacements Found, 2015

No Replacements Found

No Replacements Found, 2015

Concise Oxford English dictionary, correction tape, permanent marker


No Replacements Found (2015) questions the control that large corporations have over what should qualify as a taboo term and whether their decisions accurately reflect mainstream culture. This piece explores how autocorrect works on Apple’s operating systems and discovers the words that are considered so taboo that even a slight misspelling will never return a correction. By scoring out words—a traditional method of censorship—the dictionary becomes a disobedient object, calling attention to, but not revealing them. Supposedly taboo words are mapped onto a standard Concise Oxford English dictionary as a proxy for the most frequently used words, significantly dropping the number of words that would not autocorrect to less than two hundred. Through her work she investigates how autocorrection results can reveal the implicit conservatism of large corporations around topics such as abortion, suicide, sexuality and non-stereotypical sexuality; questioning their modes of censorship and the way large technology companies impose their influence on what is perceived as offensive and inoffensive today.

Research & Process

Recording language is not neutral; instead it reflects the cultural and social ideologies of the culture. Any dictionary takes into account and makes decisions on matters such as dialectical, scatological and taboo terms and whether to include new terms.  Taboo terms have always been a problem for dictionaries. One of the first dictionaries, created by Cockeram in 1590, made sure that it attempted to distinguish between “vulgar words” and “refined and elegant language”.  Other dictionary makers have been less polite and just ignored anything that they felt was offensive: Samuel Johnson, renowned dictionary maker, did not include anything that he felt would offend and Webster excluded any words that had sexual or excremental meanings.  “Fuck”, for example, first appeared in a major dictionary in 1965 and for a very long time did not have a definition that included that it meant sexual intercourse although it has had this meaning since medieval times. 

But dictionaries are being used and compiled in a different way than they were when Samuel Johnson wrote his. It is becoming rarer and and rarer for someone to take a dictionary off a shelf, look up a word and then write the correct one down. The dictionary, as a book, is becoming obsolete, just like CDs, videos and cassettes. Instead dictionaries are much more integrated in how we going about writing: uncertain of a word,  if it is typed in incorrectly autocorrect will give a list of options as to what it might be. But there are gaps where, when words are felt by operating systems to be offensive, nothing is suggested.


One of the key concepts in modern linguistics is that language not only shapes how we communicate but also how we think and act; how we construct language reveals much about how we construct our world. I scraped the Oxford English Dictionary to find the words which had been recently added, around 2,000 words over the past four years. Often end of year polls tell you what the word of the year is: this, while interesting, is limited. What is more revealing is to group these words into themes and classes to see thematically whether these words build up to reveal changes in thought. I created my own classification system based on the new meanings of all of these words that I have found. Marc Alexander’s work at Glasgow shows that it is possible to map historical movements in thought through language, that it is possible to see the enlightenment and the industrial revolution. My piece is incredibly subjective: it is my view of these words, it is not dispassionate. I wanted to see if a similar ideological shift was happening now by looking at the words that we are now using that we were not using before and the things that we are talking about now that we were not talking about previously; in effect, to find out what kind of world was being made with this ‘new’ language that we are using now.